Created by Carlos Montero and Darío Madrona, and led in recent seasons by Montero and Jaime Vaca as showrunners, the Netflix series follows the intense lives of a group of students at the public school Las Encinas, where it seems that every academic year they are destined to have a new mystery to solve. Love affairs, great enmities, unspeakable crimes, lots of sex... These are the ingredients that have made the Netflix series a worldwide success, and what keeps it going season after season despite the fact that its main characters change. Some leave and others arrive: in the fifth season, for example, the Argentine actress Valentina Zenere (whom we have seen in another series of the platform, 'Las chicas del cable'), the Brazilian André Lamoglia ('Juacas') and the French Adam Nourou (winner of the Goya for Best New Actor for 'Adú') have joined the cast.
Our participation:
Élite 6 was one of our first productions and a major challenge. A series with so many fans all over the world and with a very characteristic and intimate content with its own brand.
It was very interesting to work with the veteran cast members and to be able to assist them in these scenes in which they already had experience and also to help the new members of the artistic team to feel more comfortable in developing these scenes, as they were also a challenge for them.
In season 7 we are fortunate to repeat a large part of the cast and to continue to deepen the work with intimacy with new directors and great professionals.
This new figure is very worthwhile, it is there and is responsible for our comfort, but also for bringing the reality of intimate scenes. If it is a sex sequence, bring the reality of movements, the choreography
André Lamoglia (Sensacine)
It may seem silly but there are people who don't feel comfortable with certain parts of the body being touched for X reason and it's good that they ask you and listen to you
Manu Ríos (Sensacine)
Es la primera vez que he tenido secuencias íntimas y gracias a ellas no he tenido presión porque antes hay un trabajo donde puedo decir esto sí o esto no. Así que estoy muy cómodo porque si no quiero que esta parte de mi cuerpo se vea, se respeta
Adam Nourou (Sensacine)
Esta forma de trabajar es una manera de que siempre tengas alguien a quien acudir para llegar a un acuerdo entre lo que quieren los directores y lo que quieres tú como actor. Era la primera vez que rodaba escenas de sexo y estuve muy cómodo
Ander Puig (Sensacine)
La coordinación de intimidad es un rol super necesario que no conocía y defiendo que esté presente en todas las producciones. No solo trata escenas de sexo, sino también escenas en las que estás un poco más expuesto, se ocupa de cómo te sientes tú, de las partes del cuerpo que no quieres mostrar. Te sientes muy cuidado, respaldado, poco expuesto, respaldado. Se pierde el nerviosismo.
Carmen Arrufat
Hemos tenido a Lucía Delgado y Tábata Cerezo en el equipo y son un departamento que te da una comodidad, están ahí para pactar todo, llegar al día de rodaje y que no haya ninguna preocupación. Tú te puedes dedicar a actuar porque estás tranquilo, a gusto, apoyado. Es muy valioso y lo hace sencillísimo.